The book club meets at noon on the second Wednesday of each month in the upstairs classroom at the Potsdam Public Library. Click the titles below for more info.
Tara Westover was seventeen when she first set foot in a classroom. Instead of traditional lessons, she grew up learning how to stew herbs into medicine, scavenging in the family scrap yard and helping her family prepare for the apocalypse. She had no birth certificate and no medical records and had never been enrolled in school.
Westover’s mother proved a marvel at concocting folk remedies for many ailments. As Tara developed her own coping mechanisms, little by little, she started to realize that what her family was offering didn’t have to be her only education. Her first day of university was her first day in school—ever—and she would eventually win an esteemed fellowship from Cambridge and graduate with a PhD in intellectual history and political thought.
As the Civil Rights movement begins to reach the black enclave of Frenchtown in segregated Tallahassee, Elwood Curtis takes the words of Dr. Martin Luther King Jr. to heart: He is “as good as anyone.” Abandoned by his parents, but kept on the straight and narrow by his grand-mother, Elwood is a high school senior about to start classes at a local college. But for a black boy in the Jim Crow South of the early 1960s, one innocent mistake is enough to destroy the future. Elwood is sentenced to a juvenile reformatory called the Nickel Academy, whose mission statement says it provides “physical, intellectual, and moral training” so that the delinquent boys in its charge can become “honorable and honest men.”
In reality, the Nickel Academy is a grotesque chamber of horrors where the sadistic staff beats and sexually abuses the students, corrupt officials and locals steal food and supplies, and any boy who resists is likely to disappear “out back.” Stunned to find himself in such a vicious environment, Elwood tries to hold on to Dr. King’s ringing assertion “Throw us in jail and we will still love you.” His friend Turner thinks that Elwood is worse than naive, that the world is crooked, and that the only way to survive is to scheme and avoid trouble.
The tension between Elwood’s ideals and Turner’s skepticism leads to a decision with repercussions that will echo down the decades. Formed in the crucible of the evils Jim Crow wrought, the boys’ fates will be determined by what they endured at the Nickel Academy.
Based on the real story of a reform school in Florida that operated for 111 years and warped the lives of thousands of children, The Nickel Boys is a devastating, driven narrative that showcases a great American novelist writing at the height of his powers.
“I am doomed to remember a boy with a wrecked voice—not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother’s death, but because he was the reason I believe in God; I am a Christian because of Owen Meany.”
In the summer of 1953, two eleven-year-old boys—best friends—are playing in a Little League baseball game in Gravesend, New Hampshire. One of the boys hits a foul ball that kills the other boy’s mother. The boy who hits the ball doesn’t believe in accidents; Owen Meany believes he is God’s instrument. What happens to Owen, after that 1953 foul ball, is extraordinary and terrifying.
As the host of Radio Free Vermont–“underground, underpowered, and underfoot”–seventy-two-year-old Vern Barclay is currently broadcasting from an “undisclosed and double-secret location.” With the help of a young computer prodigy named Perry Alterson, Vern uses his radio show to advocate for a simple yet radical idea: an independent Vermont, one where the state secedes from the United States and operates under a free local economy. But for now, he and his radio show must remain untraceable, because in addition to being a lifelong Vermonter and concerned citizen, Vern Barclay is also a fugitive from the law.
In Radio Free Vermont, Bill McKibben entertains and expands upon an idea that’s become more popular than ever–seceding from the United States. Along with Vern and Perry, McKibben imagines an eccentric group of activists who carry out their own version of guerilla warfare, which includes dismissing local middle school children early in honor of ‘Ethan Allen Day’ and hijacking a Coors Light truck and replacing the stock with local brew. Witty, biting, and terrifyingly timely, Radio Free Vermont is Bill McKibben’s fictional response to the burgeoning resistance movement.
‘Wise and witty’ Sarah Hughes, Observer ‘Essential . . . Evans is a brilliant storyteller’ Stylist What do you do next, after you’ve changed the world? It is 1928. Matilda Simpkin, rooting through a cupboard, comes across a small wooden club – an old possession of hers, unseen for more than a decade. Mattie is a woman with a thrilling past and a chafingly uneventful present. During the Women’s Suffrage Campaign she was a militant. Jailed five times, she marched, sang, gave speeches, smashed windows and heckled Winston Churchill, and nothing – nothing – since then has had the same depth, the same excitement. Now in middle age, she is still looking for a fresh mould into which to pour her energies. Giving the wooden club a thoughtful twirl, she is struck by an idea – but what starts as a brilliantly idealistic plan is derailed by a connection with Mattie’s militant past, one which begins to threaten every principle that she stands for. Old Baggage is a funny and bittersweet portrait of a woman who has never, never given up the fight.
From the bestselling author of Everything I Never Told You and Our Missing Hearts comes a riveting novel that traces the intertwined fates of the picture-perfect Richardson family and the enigmatic mother and daughter who upend their lives.
In Shaker Heights, a placid, progressive suburb of Cleveland, everything is planned—from the layout of the winding roads, to the colors of the houses, to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules.
Enter Mia Warren—an enigmatic artist and single mother—who arrives in this idyllic bubble with her teenaged daughter Pearl, and rents a house from the Richardsons. Soon Mia and Pearl become more than tenants: all four Richardson children are drawn to the mother-daughter pair. But Mia carries with her a mysterious past and a disregard for the status quo that threatens to upend this carefully ordered community.
When old family friends of the Richardsons attempt to adopt a Chinese-American baby, a custody battle erupts that dramatically divides the town—and puts Mia and Elena on opposing sides. Suspicious of Mia and her motives, Elena is determined to uncover the secrets in Mia’s past. But her obsession will come at unexpected and devastating costs.
Little Fires Everywhere explores the weight of secrets, the nature of art and identity, and the ferocious pull of motherhood—and the danger of believing that following the rules can avert disaster.
A classic love story and a seminal work of Irish literature that is a testament to romance, magic and the power of true love.
In love everything changes, and continues changing all the time. There is no stillness, no stopped clock of the heart in which the moment of happiness holds forever, but only the constant whirring forward motion of desire and need. . .
Nicholas Coughlan and Isabel Gore are meant for each other – they just don’t know it yet. Though each has found both heartache and joy in the wild Irish landscape, their paths are yet to cross. But as God, ghosts, fate and the sheer power of true love pull Nicholas and Isabel together, so too does life threaten to tear them apart. . .
Magical, lyrical and deeply romantic, Niall Williams’ Four Letters of Love moved readers the world over and became an international bestseller. It is a life-affirming paean to human folly, to fate, and to the miracle of love.
Formerly titled The Hill We Climb and Other Poems, the luminous poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman captures a shipwrecked moment in time and transforms it into a lyric of hope and healing. In Call Us What We Carry, Gorman explores history, language, identity, and erasure through an imaginative and intimate collage. Harnessing the collective grief of a global pandemic, this beautifully designed volume features poems in many inventive styles and structures and shines a light on a moment of reckoning. Call Us What We Carry reveals that Gorman has become our messenger from the past, our voice for the future.
Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish.
Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it.
All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company.
His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through space on this tiny ship, it’s up to him to puzzle out an impossible scientific mystery—and conquer an extinction-level threat to our species.
And with the clock ticking down and the nearest human being light-years away, he’s got to do it all alone.
Or does he?
An irresistible interstellar adventure as only Andy Weir could deliver, Project Hail Mary is a tale of discovery, speculation, and survival to rival The Martian—while taking us to places it never dreamed of going.
Jean Rhys’s spell-binding novel Wide Sargasso Sea, inspired by Jane Eyre and winner the Royal Society of Literature Award is beautifully repackaged as part of the Penguin Essentials range.
‘There is no looking glass here and I don’t know what I am like now… Now they have taken everything away. What am I doing in this place and who am I?’
If Antoinette Cosway, a spirited Creole heiress, could have foreseen the terrible future that awaited her, she would not have married the young Englishman. Initially drawn to her beauty and sensuality, he becomes increasingly frustrated by his inability to reach into her soul. He forces Antoinette to conform to his rigid Victorian ideals, unaware that in taking away her identity he is destroying a part of himself as well as pushing her towards madness.
Set against the lush backdrop of 1830s Jamaica, Jean Rhys’s powerful, haunting masterpiece was inspired by her fascination with the first Mrs Rochester, the mad wife in Charlotte Brontë’s Jane Eyre.
First performed in 1916, “Trifles”, by American playwright, actress, and novelist Susan Glaspell, is widely considered to be one of the greatest works of American theatre. Written early in the feminist movement, “Trifles” is a one-act play that explores how women act in public versus how they are in private. Loosely based on the real-life story of the murder of John Hossack and the suspicion that fell on his wife as the possible murderer, Glaspell’s play compares the official investigation of the murder by the men in charge with the unofficial investigation conducted by their wives. The wives find evidence and insight into the mind of the accused murderer in ways completely ignored by their husbands and as a result are able to discover the truth. An instant critical and commercial success, audiences were riveted with the play’s ground-breaking portrayal of justice and morality. In 1917, Glaspell revisited the murder investigation and published an adaption of “Trifles” as the short story “A Jury of Her Peers”. Fascinating and thought-provoking works on feminism and the different views that men and women have on what is right versus what is wrong.
In a work that beautifully demonstrates the rewards of closely observing nature, Elisabeth Tova Bailey shares an inspiring and intimate story of her encounter with a Neohelix albolabris—a common woodland snail.
While an illness keeps her bedridden, Bailey watches a wild snail that has taken up residence on her nightstand. As a result, she discovers the solace and sense of wonder that this mysterious creature brings and comes to a greater understanding of her own place in the world.
Intrigued by the snail’s molluscan anatomy, cryptic defenses, clear decision making, hydraulic locomotion, and courtship activities, Bailey becomes an astute and amused observer, offering a candid and engaging look into the curious life of this underappreciated small animal.
The Sound of a Wild Snail Eating is a remarkable journey of survival and resilience, showing us how a small part of the natural world can illuminate our own human existence, while providing an appreciation of what it means to be fully alive.
This richly colored memoir chronicles the exploits of a flamboyant Jewish family, from its bold arrival in cosmopolitan Alexandria to its defeated exodus three generations later.
In elegant and witty prose, André Aciman introduces us to the marvelous eccentrics who shaped his life–Uncle Vili, the strutting daredevil, soldier, salesman, and spy; the two grandmothers, the Princess and the Saint, who gossip in six languages; Aunt Flora, the German refugee who warns that Jews lose everything “at least twice in their lives.” And through it all, we come to know a boy who, even as he longs for a wider world, does not want to be led, forever, out of Egypt.